Archive
San Diego Opera announces scholarly lecture series on the historic ‘Nabucco’
SAN DIEGO (Press Release)– Giuseppe Verdi’s opera Nabucco is based on the exile to Babylon of the Jews from Jerusalem. In the Bible, the Babylonian King Nabucco is known as Nebuchadnezzar. San Diego Opera will be presenting “Nabucco” Feb. 20, 23, 26, 28 at the San Diego Civic Theatre.
Prior to that time, Dr. Nicolas Reveles, Geisel Director of Education and Outreach for the San Diego Opera, will team up with the Judaic Studies programs of SDSU and UCSD, as well as with the San Diego Natural History Museum and the Museum of Art in Balboa Park to present a four-part series relating to the Babylonian exile.
The lecture series will include these presentations:
Wednesday, January 27, 7 p.m., at the San Diego Natural History Museum, Charmaine & Maurice Kaplan Theatre: “Nabucco, Israel and Babylon:The Impact of Exile on the Birth of Judaism and Christianity” Speakers: Dr. Reveles and Dr. Risa Levitt-Kohn, Director of the Judaic Studies Program at San Diego State University
Dr. Reveles and guest Dr. Risa Levitt- Kohn will discuss the role that the Babylonian Exile had to play in the shaping of modern Judaism and Christianity. Dr. Kohn will trace the effects of the Exile on the generations of Jews that followed this transformative event.
Wednesday, February 3, 2010; 7:00pm, at Congregation Beth Israel, 9001 Towne Centre Drive, San Diego: “Lessons from Exile: Babylon Revisited:” Speakers: Dr. Reveles and Rabbi Michael Berk of Congregation Beth Israel
Dr. Reveles and Rabbi Michael Berk will look at the Exile from a historical and theological point of view. Emphasis will be placed on our understanding of Exile today: politically, culturally, personally and spiritually.
Monday, February 8, 2010, 7;30 p.m., Garfield Theatre, Lawrence Family Jewish Community Center, 4126 Executive Drive La Jolla: ” By the Rivers of Babylon: Judaism, Empire and Exile.” Speakers: Dr. Reveles and Dr. William Propp, Director of the Judaic Studies Program, University of California San Diego, and Rabbi Leonard Rosenthal of Tifereth Israel Synagogue.
Dr. Reveles and guests Dr. William Propp and Rabbi Leonard Rosenthal will discuss the events leading up to the Exile, the political atmosphere of the time and the various cultures involved, especially Babylonian and Assyrian as well as that of the ancient Israelites. Special mention will be made of the Kings of Judah who found themselves in direct conflict with Nebuchadnezzar II.
Wednesday, February 10, 7:00pm, at San Diego Museum of Art: “Nabucco: The Jewish Story in Art and Opera,” Dr. Reveles and Dr. John Marciari, Curator of European Art and Head of Provenance Research at the San Diego Museum of Art.
Dr. Reveles and guest Dr. John Marciari will discuss the depiction of Jews and biblical scenes in Western art, with emphasis on Italian artists. The development of the images will be traced from Medieval and Renaissance times up to the early 19th century, contemporaneous to the premiere of Nabucco in 1842.
*
Preceding provided by the San Diego Opera
Music writer Amos in Athenaeum series on classical composers
LA JOLLA, California (Press Release)–David Amos and Erica Miner, on-air personalities for classical radio station XLNC1, will present a series of lectures at the Athenaeum in April on “crossover composers.” These two experts will examine the different genres in which Beethoven, Mozart, and Tchaikovsky worked.
Amos also is a music critic for San Diego Jewish World.
April 5 – Ludwig van Beethoven Beethoven composed only one opera, but the music in Fidelio is arguably as sublime as any of his orchestral and chamber repertoire. David and Erica examine the Leonore Overture #3 and Florestan’s Act Two aria as well as symphonic and chamber works with similar “heroic” themes.
April 12 – Wolfgang Amadeus Mozart Mozart set the standard for all genres of music, but his operas tower majestically over his other works. Erica compares the Don Giovanni Overture with similar music in the Commendatore scene, while David contrasts piano and orchestral works of both dark and light character.
April 19 – Peter Ilyich Tchaikovsky Tchaikovsky’s ballets and orchestral works may be more popular than his operas, but the dance music and poignant arias in Eugene Onegin are every bit as compelling as his symphonies, tone poems and chamber works. David and Erica provide examples both familiar and not so familiar.
Tickets are available by calling the Athenaeum Music & Arts Library at (858) 454-5872.
*
Preceding provided by the Athenaeum
U.S. insurance companies put profits ahead of health
JERUSALEM–For those who are not sure that the devil is in the details, here’s an example. An American insurance company and hospitals are arguing about an administrative procedure. It has reached the point where one state legislature has enacted a law about the clerical details to be allowed in its jurisdiction, patients are being warned that they may have to change physicians, and there is a court case that could affect one million people who think they have health insurance. http://www.nytimes.com/2010/01/25/health/policy/25insure.html?hp=&pagewanted=all
Sharkansky is professor emeritus of political science at Hebrew University
The Jews Down Under~Roundup of Australian Jewish News
Compiled by Garry Fabian
Peer Protest moves to Melbourne
MELBOURNE, 20 January – A small group of Palestinian supporters held a protest outside the Australian Open on Tuesday afternoon (January 19).
The Australians For Palestine group, which numbered fewer than 10, singled out Israel’s top tenns player Shahar Peer for criticism. The protest was peaceful, but after a time, the demonstrators were asked by police to leave.
The group, most of who were dressed in corporate attire, held placards with a photo of Peer in her Israel Defence Forces uniform. The slogan on the placard read: “Shahar Peer serves for apartheid Israel”.
According to a flyer distributed by Australians For Palestine, Peer has been singled out because she “has shown no understanding of the oppressive
conditions under which Palestinian athletes are forced to live, but rather sees herself as a victim of discrimination”.
Peer, who refrains from making political statements, has been the target of anti-Israeli protests. Most recently, she was heckled at a tournament in Auckland. She also came to global attention last year when the United Arab Emirates, host of the Dubai Tennis Championship, refused to issue the Israeli citizen with a visa.
*
Peer advances to second round
MELBOURNE, 21 January – Israeli tennis player Shahar Peer has won through to the second round of the Australian Open after defeating Czech player Lucie Hradecka 6-7, 6-2, 6-1 on Wednesday (January 20).
Peer, the 29th seed, looked sluggish in the opening set and struggled to find her rhythm against Hradecka, who served powerfully in the early stages of the match.
Peer gave up an early break in the first set when she failed to hold serve in the eighth game. The rest of the set went on serve to the tie-break, where Peer quickly fell behind 5-1. She clawed her way back to 5-6, fending off a set-point in
the process, before Hradeka produced another big serve to take it 7-5.
However, Peer found her range midway through the second set and began to dominate proceedings from the back of the court. She broke in the fifth and
eighth games of the second set, with Hradecka gifting her the latter with four double faults.
Peer dominated in the third set, and was further aided by a hefty unforced error and double-fault count from Hradecka, who was beginning to become frustrated.
With little help from her booming first serve, Hradecka was unable to match Peer’s superior ground strokes.
At the post-match media conference, Peer said: “I played her [Hradeka] last year and lost in straight sets. She is a good player and has a big serve, but she is not always consistent and I think that’s the main thing with her.
“I had to play good and be aggressive, because she tries to dominate points pretty early, so my main goal was to be solid but also aggressive. I
tried to combine those two and return well too and I think I did it quite well.”
Peer will play unseeded Bulgarian Tsvetana Pironkova in the second round.
At the media conference, Peer talked down threats to her security when asked whether the recent spate of anti-Israel protests had affected her preparation.
“There is security going on around me, I don’t know exactly how much but I feel really safe,” Peer said.
“I’m just focusing on playing tennis and I’m not here to focus on my security or what’s going on outside the court.”
*
Youth movements safe despite GFC
MELBOURNE, 21 January — Amid reports that Jewish youth movements worldwide had gone cap in hand to the Israeli government to save them from
financial collapse, the Zionist Federation of Australia (ZFA) this week insisted that the future of local organisations was secure.
However, ZFA president Philip Chester cautioned that the groups for children and teenagers were surviving “hand-to-mouth”.
Chester voiced his concerns just days after leaders of world Zionist youth movements met with the Knesset Education Committee to plead their
case for increased funding. It followed extensive budget cuts by the Jewish Agency for Israel last year.
Chester who ultimately oversees Betar, Bnei Akiva, Habonim Dror, Hashomer Hatzair, Hineni and Netzer said “People would be shocked at the small budgets some of the movements are running on.”
The organisations, run by youth leaders, most of who are under 21, are largely responsible for their own funding. Most rely on parents, supporters or movement alumni for week-to-week activity and camp funding. Traditional
fundraising methods, such as film and trivia nights, are common.
Increasingly, movements are also having to raise money to support shaliachs (emissaries), who are sent to Australia by the Jewish Agency, but are
only partially financially supported.
The movements’ roof body the Australian Zionist Youth Council receives some funding from the ZFA, but only for large-scale programs, such as leadership camps. For some movements the model works.
Bnei Akiva, for example, has strong support from the Mizrachi community and is savvy in its fundraising organising a mishloach manot sale at Purim and a lulav and etrog sale at Succot.
Other movements, particularly the smaller ones, have less success.
The ZFA is working with them to attract support, but according to Chester, it is not easy.
“We haven’t yet worked out the magical formula to do it,” he said.
Community philanthropists have been approached to ascertain whether they would be interested in assisting, and Chester has also been in discussions with the NSW Jewish Communal Appeal (JCA) to garner support for the Sydney movements.
And while JCA support for youth movements was not on the short-term agenda, he said he was more hopeful in the longer term.
Meanwhile, Chester said he was confident of the survival of local chapters.
“The numbers are good and to their undying credit, the kids do it for nothing and run functions on the smell of an oily rag.
“The truth is, no matter how little they have, they will never stop doing it.”
*
Dudi Sela blows lout of Australian Open
MELBOURNE, 20 January – Israeli tennis player Dudi Sela has crashed out of the Australian Open in the first round, losing to Ukrainian qualifier Ivan Sergeyev 6-3, 7-6, 4-6, 7-6.
Israel’s top-ranked male player ranked 41 in the world came into the match with a virus and never found his rhythm, despite displaying patches of brilliance.
The match lasted three hours and 22 minutes.
The Israeli was broken in the first game of the match and there were two more breaks of serve in the set, one to each player. Sergeyev served out the set with a love game.
The second set went on serve to a tie breaker, which Sergeyev dominated with some big serving, winning 7-3.
Sela regained his composure and took the third set 6-4.
There were consecutive service breaks in the second and third games of the fourth set as the intensity went up a notch.
The set then went on serve until the tie break, and it was a brilliant passing shot on the forehand that eventually gave Sergeyev his hard-fought win.
*
Australian Jewry rallies for Haiti
SYDNEY, 21 January – Australian Jews are being urged to step up their support for the international aid effort in Haiti.
In the wake of the earthquake that has ravaged the Caribbean island, claiming an estimated 200,000 lives, two community charities — Jewish Aid Australia (JAA) and Magen David Adom (MDA) — have launched appeals.
In three days, JAA had already raised $70,000 for the relief effort. It is directing its donations towards CARE Australia — a non-partisan, non-political Australian charity on the ground in Port-au-Prince.
JAA chief executive officer Gary Samowitz said: “The response has been fantastic and we’ve been inundated with calls and emails.”
Among the donors are AJN owner Robert Magid and his sister Nora Goodridge, who made a $40,000 pledge.
“Bob and Nora’s donation is an inspiring example to the rest of the community,” Samowitz said. “The more money raised, the more services will be provided to those suffering the aftermath of the earthquake, and every donation counts.”
The Pratt Foundation, meanwhile, run by Jewish philanthropist Heloise Waislitz, has made an initial donation of $50,000. The foundation’s CEO, Sam Lipski, said the 5000 workers at the family company, Visy, had also been invited to give funds to the people of Haiti. He said donations made by staff would be matched by the foundation.
Ron Raab, president of Insulin for Life Australia, added that his organisation had sent emergency shipments of insulin to assist Haitian diabetics
who were struggling to get access to lifesaving medication.
Local MDA branches are also running an appeal to support the work of their Israeli colleagues on the embattled island. As part of the International Committee of the Red Cross, MDA sent a paramedic delegation to Haiti immediately upon hearing of the earthquake.
According to MDA-Red Cross coordinator Dudi Abadi, all the money raised by the ambulance and first aid service will be used to fulfill the most urgent needs — medical equipment, blankets, water, food, hygiene items, purification tablets and sheets of plastic.
Encouraging the community to give generously to the appeals, Executive Council of Australian Jewry president Robert Goot said: “The earthquake
claimed the lives of tens of thousands of people and has left many of the survivors without homes, food, water, medical and hospital services, and
other basic necessities. I urge everyone in our community to dig deep and support the recognised international aid organisations, which have
workers on the ground in Haiti, including Jewish organisations such as Jewish Aid Australia Limited, Magen David Adom and ZAKA.”
*
Israeli Torah scholar sets up new Kollel
SYDNEY, 21 January – Despite success stories in Melbourne and Perth, Sydney has struggled for years to establish a viable kollel.
But this time around the Jewish Learning Centre (JLC) is hoping that the outcome will be different.
Next month, JLC plans to bring four Israeli bochers (Torah scholars) to set up Australia’s third Torah MiTzion Kollel.
Once established, it will be one of 25 religious-Zionist kollels dotted around the world under the umbrella organisation of Torah MiTzion in Israel, including one in Melbourne, based at Mizrachi shul and another in Perth.
Rabbi Daniel Eisenberg, who will be heading the project, said: “Jewish life is very dependent on the vibrancy of its institutions and every additional source of inspiration that can be provided to the Sydney community will help advance stronger Jewish identity.
“This is a prime example of that kind of institution.”
Traditionally, a kollel is an institute for advanced Torah studies, which provides married men with housing and a regular monthly stipend to study Judaism’s classic texts.
However, this Torah MiTzion Kollel will run slightly differently.
For starters, these bochers are not married. Furthermore, while they will undertake intensive studies at JLC’s beit hamedrash, the men will also perform outreach work.
Other shuls run similar initiatives for unmarried bochers, but this is the only program to officially be called a kollel in Sydney.
“The focus here is to work in the traditional sense of the kollel, as well as to strengthen the Jewish nature of the community,” said Rabbi
Eisenberg, who is still raising some of the $180,000 in funds needed to operate the project in its first year.
This is not the first time an organisation has tried to establish a kollel in the area.
In 2006, the Adass Israel congregation brought out seven rabbis and their families to set up Sydney’s first full-scale kollel. But two years later, it closed down because of funding and organisational issues.
Rabbi Eisenberg, however, believes this time they will succeed.
“It’s not like bringing a group of married men and their families. It’s a very big difference in proportion. It’s more sustainable,” he said.
Can Pakula make the trains run on time?
MELBOURNE, 21 January – Jewish MP Martin Pakula has been handed Victoria’s poisoned chalice – the transport portfolio. The state’s transport minister Lynne Kosky resigned from parliament on Monday, citing family health problems.
Pakula who was voted in by his caucus colleagues yesterday, will inherit a range of problems, which include over crowded trains, transport cancellations and a troubled over-budged new electronic ticketing system, and technical
problems with the public transport system.
The 40-year old who was elected to Parliament in 2006, had a Jewish upbringing, and is a son of a Holocaust survivor. He also adds industrial relations to his portfolio.
He is one of three Labour MP’s in the Victorian Parliament. The others are Marsha Thomson and Jennifer Huppert.
Pakul caught the train to work recently, taking time out to hear complaints from frustrated commuters.
Mr Pakula chatted with passengers on the 8.17am from Sandringham, hearing their complaints about punctuality and cancellations on the network.
He said most people had been welcoming, but had a lot to say about their morning commute.
“What they want is reliability and punctuality. That’s the absolute key message from today,” he said.
A casual user of the system Mr Pakula said he caught the Sandringham line a couple of dozen times a year and sometimes caught the bus home from the station.
“Like all commuters, I’ve had times when the train I’ve been on has been extremely crowded, or it has been extremely hot or there’s been delays
and I understand why people would be frustrated by that,” he said.
But from today he is expected to be a regular traveller, getting out on public transport every day.
Mr Pakula also indicated that he would be considering the future of W-Class trams, saying they would most likely eventually end up servicing only the city circle.
“I don’t think anything is forever (and) I don’t think they are designed for large-scale commuter transportation any more,” he said.
“I think people want a more modern, more comfortable tram these days, and so I think the W-class tram, their use will be confined to (the city circle).”
*
Country music with a slice of kugel
TAMWORTH, NSW. 21 January – Every year at about this time, country music flows down the streets of Tamworth just about as freely as the cold beer
flows from the taps of their pubs.
It’s the Tamworth Country Music Festival in the city that’s described as the Nashville of the Southern Hemisphere.
It’s also the city home to musicians who go by the curious names of 8 Ball Aitken and Bird.
“Come on in, we’ve made a kugel for you,” 8 Ball Aitken says when we meet at his home. The Queensland native, who sports a long bright red beard and speaks in a soft voice, performed at the festival, which ran until January 24
Aitken has led an interesting life. The Golden Guitar nominee went from picking mangoes and bananas, to picking the strings on his guitar. Though not Jewish himself, his fiancee and manager Bird Jensen are, and Judaism has come to influence his music.
Aitken is a welcome friend at Brisbane’s Beit Knesset Shalom Progressive Synagogue; he has played at synagogue functions and filmed part of a music video there.
Over the past six years, he’s released three albums and toured in towns all over Australia as well as 15 countries.
“[His music] is not strictly country,” Jensen says. “It’s part blues, folk, country and indie rock,” she explains.
The pair’s hard work has finally paid off. “We earn our living through our own original music,” Jensen says. “A lot of people can’t do that.”
Many artists in Australia, including Aitken, are partially supported by the Australian Business Arts Foundation (ABAF).
To get more funding, business-minded Jensen even makes her own “8 Ball shmattehs” — T-shirts and other tour merchandise — and says she is willing
to go the extra mile in ways other managers probably never considered.
“If anyone [donates enough money to get 8 Ball Aitken back into the studio], I’ll personally make them a shabbat dinner in their home,” Jensen enthuses, “and it will be good.”
8 Ball Aitken performed at the Tamworth Country Music Festival through January 24.
*
Fabian is Australia bureau chief for San Diego Jewish World
Israel needs to address Goldstone Report seriously
By Rabbi Dow Marmur
JERUSALEM–Those in the know say that the Goldstone report is deeply flawed, but not entirely wrong. Some believe it would have been much less wrong had Israel cooperated with Judge Richard Goldstone when he was compiling it for the United Nations and that, even now, it’s important that the allegations about Israeli war crimes during the Gaza war be properly investigated by a public inquiry in Israel. The fact that the government has rejected it has been used as an uncritical argument in favour of the whole report. The inference is that Israel must have much to hide. Government action has become extremely counterproductive by giving the report more credence than it may deserve.
Instead of dealing with the allegations, spokespersons for Israel and their echoes in the Jewish world have chosen to discredit the report and brand its author with the usual label of self-hating Jew. That has in no way diminished Goldstone’s standing in the world, but it has opened Israel to the accusation that it’s shooting the messenger instead of listening to the message.
All this and much more will be reopened later this week when Israel submits its critique of the report to the United Nations. In anticipation Ha’aretz, the sane voice of Israel and the country’s leading newspaper, published an editorial last Sunday that once again calls for an Israeli investigation both for intrinsic reasons and as damage control. The final passage of the report reads thus in the official English version:
“But an Israeli investigation is needed not only out of fear of the International Criminal Court and of the arrest of Israelis abroad; the Israeli public has the right to know whether the country’s leaders and military obeyed the laws of war and moral principles during the operation in Gaza. That is the way to avoid the next Goldstone report.”
The government of Israel is shooting itself in the foot. It’s a sovereign democratic state that rightly wants and needs to be part of the family of nations, even if some members of that family are less than friendly. The current official Israeli attitude resembles much more a ghetto mentality that assumes that everybody is against us. It rules out the possibility that the world out there could, at least occasionally, be right.
This attitude is consistent with the right-wing politics of the present coalition which in its exaggerated nationalism ends up with the contrary image: Israel as a ghetto. But unlike the previous ghettos this one is said to know how to defend itself and how to brand every form of criticism as anti-Semitism, whether it’s articulated by sworn enemies or by committed Jews, and all in between. The settlers celebrate it and many of their rabbis interpret Jewish history for them in that key. There’re reasons to fear that this will be the language in which Israel’s response to Goldstone’s report will be couched.
Ironically, Jews in the Diaspora are less and less inclined to see themselves as living in ghettoes, but some of their leaders like to view Israel (!) as a ghetto state which they must defend in the name of the Jewish Diaspora experience. As a result, instead, of exerting pressure on Israel to act as a sovereign state in our post-ghetto history, too many Diaspora Jews will no doubt regurgitate the official government line.
*
Rabbi Marmur is spiritual leader emeritus of Holy Blossom Temple in Toronto. He new divides his time between Canada and Israel.
Differential wages becoming the norm on kibbutzim
HAIFA (Press Release)–Over the course of 2009, five more kibbutzim converted to the “renewing kibbutz” model (paying its members differential wages) bringing the percentage of such kibbutzim up to 72% of all the kibbutzim in Israel.
“It is highly probable that by the end of 2012 the number of kibbutzim shifting to alternative models will be higher than the number of the kibbutzim that did so over 2009,” says Dr. Shlomo Getz, Head of the Institute for the Research of the Kibbutz and the Cooperative Idea at the University of Haifa who carried out the survey.
The kibbutzim can be classified by three methods of compensation: The ” collective kibbutz” (kibbutz shitufi), where members are compensated equally regardless of what work each member does; the ” mixed model kibbutz” (kibbutz meshulav), where each member is given a small percentage of his salary alongside a basic component that is given equally to all members of the kibbutz, and sometimes a seniority factor is added to that; and the “renewing kibbutz” (kibbutz mithadesh) where the member’s budget is entirely comprised of his individual income from work and sometimes includes income from other sources as well.
Surveys examining kibbutz compensation models were begun in 1996, when it was observed that four kibbutzim had begun compensating members by the new kibbutz system and another six were using the mixed model budgeting system. In 2002, the collective kibbutzim constituted 50% of all kibbutzim, but from 2004 the differential system took the lead.
By the end of 2009, 188 kibbutzim (72% of all kibbutzim) had become “renewing kibbutzim”, while 9 kibbutzim (3%) were ” mixed model kibbutzim” and 65 (25%) maintained the original and familiar model, where each member contributes according to his or her ability and is given according to his or her needs.
According to Dr. Getz, another 4 kibbutzim shifted over to the new model on the first day of 2010, while 15 more were deliberating the possibility of adopting the differential wages system.
The survey further shows that changes are also occurring in the collective kibbutzim: eighteen of them (28%) use different forms of payment for work that members carry out beyond their regular jobs (such as rotation duty in the dining room or operating kibbutz services on Shabbat), and the members of five of the collective kibbutzim have partial ownership of manufacture property or of their home, while a similar number of kibbutzim are discussing the possibility of adopting such ownership status for their members. The dining room is also shared much less than in the past: at half of the collective kibbutzim members must pay to eat in the central kibbutz dining room.
*
Preceding provided by University of Haifa
San Diego Jewish Film Festival preview: ‘William Kunstler: Disturbing the Universe’
By Paul Greenberg
LA JOLLA, California– The documentary film, William Kunstler: Disturbing the Universe, about the life and times of the famous (or infamous, depending on your perspective) Jewish attorney who is best-known for trying to help the oppressed in American society through the legal system, as well as defending rapists, terrorists, and assassins later in his career, should be re-titled, albeit lengthily: William Kunstler: Disturbing the Universe and (Sometimes) Particularly Disturbing Two Of His Younger Daughters During His New York Criminal Defense Years.
The filmmakers are two of Kunstler’s daughters from his second and final marriage: Emily (born in 1978), who narrates, and Sarah (born in 1976), who weren’t around during his civil rights advocacy heyday but were nevertheless deeply and negatively affected and also perplexed by some of his later criminal defense cases.
This fast-paced film mixes intimate home movies and archival footage with interviews with an assortment of prominent attorneys, wives, other daughters, colleagues, people he defended, and a juror in one of his cases, to provide a complex portrait of a man deeply immersed in defending and helping the oppressed and some quite unpopular figures who, at the same time, was almost addicted to grabbing the spotlight.
The film devotes most of its time to focusing on Kunstler’s biggest causes and cases that are divided between his pre-1976 civil rights years and his post-1976 New York criminal defense years:
– 1960’s defense of the Freedom Riders
– defense of Vietnam War protesters in 1969 who burned draft files
– defense of the Chicago Seven, who were charged with inciting a riot at the 1968 Democratic National Convention
– serving in September 1971 as negotiator for the prisoners of Attica who took nine guards hostage to pressure authorities to address a list of practical demands involving living conditions, but which ended tragically due in part to Kunstler’s own miscalculations when police moved in and killed all guard hostages and 32 inmates
– defending leaders of the American Indian Movement who, along with the Oglala Sioux, began occupying Wounded Knee, South Dakota on February 1973 for 71 days to force the federal government to honor long-standing Native American treaties and whose charges of illegal occupation were dismissed after a trial by a judge because of egregious governmental misconduct
–representing accused cop shooter Larry Davis, who wounded six cops but was acquitted of all charges based on self-defense
–representing El-Sayyid Nosair, a Palestinian who was accused of shooting at point-blank range and killing Rabbi Meir Kahane, an extremist who advocated violence against Arabs, but was acquitted because of lack of proof that he was indeed the shooter
–representing Joey Johnson before the United States Supreme Court, who was charged with the crime of flag burning at the Republican National Convention in 1984 , but was acquitted because the court ruled that flag burning was expressive conduct protected by the Constitution
– representing Yusef Salaam, one of the rapists charged in the Central Park Jogging Case who, along with all other defendants in the case, had their guilty verdicts set aside many years later.
Many of Kunstler’s post-1976 cases in the film were accompanied by Emily’s complaints that they (the sisters) just didn’t understand why their dad was taking such cases and justifiable fear for her and Sarah’s safety.
Emily: “I thought what he was doing was important and dangerous. All his cases were causes, we just couldn’t always figure out what he was fighting for. He told us everyone deserves an attorney, but sometimes we didn’t understand why that lawyer had to be our father. Dad’s clients gave us nightmares. When his mind was made up, no one could stop our father.”
After Kunstler took the Nosair case he was considered by some Jews to be a traitor to his own people and Emily and Sarah lived in constant fear. “We received bullets in the mail and dad opened all packages in the basement in case of explosives. There were staged daily protests outside our home, our front windows were shot out with red paintballs, and dad was called a self-hating Jew. My mom wouldn’t let us outside. Why was I being punished for something I didn’t do?”
Attorney Kunstler also defended a house cat against a charge of crimes against humanity in a mock trial on television. Lamented Emily: “It was official, Sarah and I agreed. Our father had completely lost his mind.”
Tellingly, both Emily and Sarah express in the film that they didn’t want to be lawyers.
Disturbing the Universe also touches on the pre-attorney life that shaped Kunstler’s later liberal views, including his life of privilege in New York where the family’s black maids ate meals in the kitchen and used separate bathrooms, and his uneasiness in not speaking out when he was in the Army after realizing there were segregated living quarters and blacks had to perform menial jobs in the service of white soldiers.
I found the civil rights cases that were illuminated to be most intriguing, and the archival footage of the shootings at Attica to be quite haunting and extremely disturbing. This must-see film will probably give the public as well as the filmmakers a better understanding of the most perplexing William Kunstler.
As one person in the film so succinctly put it: “You either loved him or hated him. There is nothing in between.” There is also no denying that William Kunstler significantly changed the legal landscape in America forever, and probably for the better.
William L. Kunstler was born on July 7th, 1919, in New York, New York, and died on September 4th, 1995 in New York City.
William Kunstler: Disturbing the Universe will be showing at the UltraStar La Costa on Sunday, February 14, at 4:00 p.m. as part of the 20th Annual San Diego Jewish Film Festival that is sponsored by The Mizel Family Foundation.
*
Paul Greenberg is a freelance writer based in San Diego.

