By David Amos

David Amos
SAN DIEGO–Recently, I was again involved in a lively debate on the subject of whether a conductor or a soloist should or should not speak to the audience before starting a performance. Opinions have varied from enthusiastic support, to comments such as “Never, a conductor should conduct and not say a word. It is not his place to verbalize what is obvious, and it detracts from what is to follow, namely, the music itself.”
My opinions on the subject:
I have conducted many a concert where I felt that not a word was necessary. Let the music speak and communicate on its own. At other times, however, even when program notes were available in the printed handout, a few well-placed comments were apparently well received. Many times after the conclusion of a concert I have heard from enthusiastic concertgoers who told me that whatever I said from the podium provided them with additional perspectives on the music which followed.
Let’s admit it: we, the lovers of classical music, are in the minority and have become a sort of cult. Yes, a healthy cult; we love what we hear and we hear what we love, but we also tend to assume that most other people appreciate what we love. Or at the very least, the ones present at the concert surely know the standard repertory, the artists involved, concert procedure and etiquette, etc. Not so. It may surprise you to hear me say this, but there are concertgoers who may attend a program announced as a rendition of Bach’s Mass in B Minor, and if the orchestra switched the program and did nothing else but Strauss waltzes, they may not know the difference! I do not mean a few lost souls in the audience with a minimum amount of brain cells in action, but far more people than you may suspect. This is not meant as a reflection of peoples’ I.Q.s, but as an assessment of the information, sounds, and traditions which you and I may have accumulated through the years, which we assume that everyone around us also possess.
The classical music world has alienated many potential listeners with attitudes of indifference, snobbishness, and closed minds. Even performing artists and composers for many years presented their music with the unspoken message which conveyed, “Here is my music. Take it or leave it; I really don’t care!” In recent times, more composers, artists, and presenters are “changing their tune”, welcome the public, and are grateful for their attendance. There is a greater effort to promote public concerts, with the continuing and alarming dwindling of audiences. Fewer and fewer relate to our precious classical music. Read more…