Missed a turn in the latest Kafka controversy? Here’s a primer
By Kathi Diamant
SAN DIEGO — Franz Kafka has gotten quite a bit of play lately. His photo has accompanied headlines in any number of newspapers, magazines, and network news websites in the past couple of months, most of which include one or more of the following words: treasure, trial, nightmare, snarled, tangled, vaults, masterpieces, secret, lost—and, lest we forget—Kafkaesque.
In the past few weeks, CBS News, Time Magazine, Salon, The New York Times, Washington Post, the Guardian, and Haaretz as well as dozens of other news outlets weighed in on the acrimonious fight over Franz Kafka’s papers in the Brod Collection. One of the most thoughtful was by Rodger Kamenetz in the Huffington Post. Coverage on the trial over the Brod Collection in Tel Aviv extends to The National, published daily in Abu Dhabi. Franz Kafka is the Arab world’s favorite Jewish writer. Who knew?
Most of the news reports have been correct, more or less. The AP story by Aaron Heller stated, “Aside from previously unknown versions of Kafka’s work, the trove could give more insight on Kafka’s personal life, including his relationship with his lover, Dora Diamant. It may include papers that Kafka gave to Diamant but were stolen by the German Gestapo from her Berlin apartment in 1933, later obtained by Brod after World War II.”
I am sad to report that the papers stolen by the Gestapo were not recovered by Max Brod after World War II. Since 1996, the Kafka Project at SDSU has led the international search for these papers, 20 notebooks and 35 letters written by Kafka in the last year of his life, which most Kafka experts agree, represent the real missing treasure, not whatever remains in the Brod Collection.
As the Director of the Kafka Project and someone who has followed the story of the Brod Collection closely since 2001, I am happy to share the straight scoop, with links to the best sources, as well as a quick cast list to the Kafkaesque drama unfolding in Tel Aviv:
Franz Kafka (whose literary leavings in the Brod collection are trapped in litigation) was a Jewish-Czech writer who died at the age of 40 in 1924, largely unpublished and unknown. After his death in 1924, with the posthumous publication of his novels, letters and diaries, Kafka rose to international fame as a literary genius, one of the founding fathers of magical realism and the modern novel. He is considered the most influential, profoundly misunderstood writers of our time. His most famous works are two unfinished novels, The Trial and The Castle and the short story, The Metamorphosis.
Kafka’s strange stories have earned their own adjective, Kafkaesque, to describe a world where mindless bureaucracy destroys the mind and body and numbs the soul.
Max Brod, Franz Kafka’s boyhood friend who became his literary executor, was also, like Kafka, a Jewish Czech lawyer and writer. Brod famously defied Kafka’s requests to burn his unpublished work, and instead gathered as much of it as he could and arranged for its publication. “As far as my memory and my strength permit, nothing of all this shall be lost,” he vowed shortly after Kafka’s death.
Brod fled Prague in 1939 for Tel Aviv, where he died in 1968. He escaped on the last train as the German army rolled into Czechoslovakia, taking with him two suitcases, one filled with Kafka’s manuscripts, letters and diaries. During the Six Day War, Brod, concerned for the safety of Kafka’s manuscripts, transferred the most valuable to Switzerland for safekeeping in bank vaults. The Brod Collection is believed to be mostly in ten different safety deposits in Geneva and Tel Aviv, as well as in Ester Hoffe’s humid, cat infested apartment on Spinoza Street.
Without Max Brod, we would know nothing of Franz Kafka. Brod saved Kafka’s writings for humanity, only to leave what he had so carefully collected and saved not to the centers of Kafka scholarship in England and Germany, where his other manuscripts are scrupulously kept, but to his longtime secretary and (most certain) lover, Ester Hoffe, who hoarded them for forty years after Brod’s death, selling off single pages of letters, diaries and whole manuscripts, at random, to the highest bidder. At one point she accepted a very large sum from a German publisher, and then never sent the manuscripts she contractually promised. She never returned the money.
Ester Hoffe, a Holocaust refugee who died two years ago in Tel Aviv at the age of 101, was generally reviled by Kafka scholars and researchers, her name an anathema. Given Brod’s lifelong dedication to establishing and maintaining Kafka’s legacy, his gift of the Kafka papers to his secretary was an unfortunate choice. When she died in 2008, her two daughters, Eva and Ruth, now in their 70s, inherited the collection and decided to sell it to the German Literature Archive in Marbach, Germany, sight unseen, for one million Euros. Headlines rang out around the world: Secret Kafka Treasure to be Revealed!
Kafka aficionados, academics and researchers were thrilled. Priceless, possibly unpublished writings by Kafka would finally be available to shed new light to understanding this most misinterpreted and beloved writer. But then, in classic Kafka fashion, the plot twisted, with no path made easy. The National Library of Israel stepped in, claiming the Brod Collection as state cultural assets, a national treasure, which should not leave the country. The legal wrangling and academic outcry has been ably covered in dozens of articles by Ofer Aderat for Haaretz, which has a financial interest in the case. (Haaretz and many Kafka copyrights are owned by Schocken Books.)
So, for more than two years, the Brod Collection trial has dragged on in a Tel Aviv family courtroom, with drama aplenty, court-ordered openings of secret bank vaults, tales of theft and deception, a nightmare for Hoffe’s daughters, as if straight from Kafka’s own imagination.
When the Brod Collection first made international headlines in the summer of 2008, I was in Poland, on a six-week Kafka Project research project for the 20 notebooks and 35 love letters confiscated from Kafka’s last love, Dora Diamant, by the Gestapo in 1933. Before I embarked on the 2008 Eastern European Research Project, I wrote an article for San Diego Jewish World, “My Quest to Find a Literary Treasure,” explaining what we are searching for, and why it’s so important.
For almost a decade, I have been waiting to see the contents of the Brod Collection. In 2001, in Germany researching the biography of Dora Diamant, I first learned about the Brod Collection, and within it, the existence of 70 letters Dora Diamant wrote to Max Brod between 1924-1952. This was information vital not only for the book I was writing, but also for the Kafka Project. In one letter, written in Berlin in April 1933, Dora described to Brod the theft of Kafka’s writings by the Gestapo. Among the list of 70 letters, a stunning, four-page letter is catalogued, with the date, the return address, and a few lines describing what was taken. But, besides the Swiss lawyer who catalogued the Brod Collection in the early 1980s, no one else has seen that letter or any of Dora Diamant’s letters, telegrams and postcards written over a twenty-five year period.
I am only one of many who are holding a collective breath. The next headline you see on Kafka’s papers in the Brod Collection might announce a happy resolution. But knowing Kafka’s dark sense of humor, I doubt it.
In the meanwhile, Kafka Project isn’t waiting. Plans are afoot to follow up the 2008 Eastern European research, collaborating with the University of Silesia, Jagiellonian University, the National Library of Silesia, and the Polish National Archives in 2012. The Kafka Project is working not only to recover a lost treasure and open a new chapter in literary history, but to repair at least one of the crimes of the Third Reich. If you want to learn more about Kafka, I am presenting a six-week survey, Kafka in Context, for the Osher Institute for Lifelong Learning at SDSU, starting Monday, September 13. To register, contact osher@mail.sdsu.edu. Here’s a link for more information on the SDSU Kafka Project.
Stay tuned for the next headline!
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Diamant is director of SDSU’s Kafka Project, a journalist, and author.
Sidebar:
For further reading on this case, here are a few of the best articles covering the Brod Collection’s many twists and turns:
Huffington Post: “Kafka Manuscripts: The Fight Over Kafka”
Time Magazine: “Were Lost Kafka Masterpices Stuffed in a Swiss Bank Vault?
Washington Post: “In Israel, a tangled battle over the papers of Franz Kafka”
CBS: “Lost Kafka Papers Resurface, Trapped in Trial” CBS News (AP)
Ha’aretz: story on safety boxes being opened, another on estate executor receiving boxes.
The Guardian: “Lawyers Open Cache of Unpublished Manuscripts”; “The Kafka Legacy: Who owns Jewish Culture?”
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Book Review: ‘Kiss Every Step’
Kiss Every Step by Doris Martin with Ralph S. Martin, Booksurge Publishing, ISBN 978-1-4392-5606-0, ©2009, $14.95, 222 pages
By Fred Reiss, Ed.D.
WINCHESTER, California — The year is 1939. Hitler tells the Reichstag that if war erupts, the Jews will be exterminated. Eichmann is placed in charge of the Prague branch of the Jewish Emigration Office. The Soviet Union’s Molotov and Germany’s Ribbentrop sign a mutual non-aggression pact. Germany invades Poland on September 1. Three days later, the innocent life of little twelve-year old Dora Szpringer (now Doris Martin) is shattered. She can no longer roam the streets freely jumping rope, tossing a ball, or playing hop scotch with her best friend Rutka. The playful romps through the old castle grounds, which overlook the city, are over. The joyous visits to Gipsman’s fruit and ice cream shop have ended. On September 4, the Wehrmacht entered Dora’s hometown of Bendzin, Poland. Within a week, they burn the synagogue and many Jewish homes, with the people locked inside them.
In Kiss Every Step, Doris Martin, together with her husband Ralph, tells the remarkable and disturbing war-time encounters of the Szpringers, a family that miraculously survived the Holocaust intact, as they struggle to outwit Hitler’s army and the by-and-large anti-Semitic Polish population. Some of the chapters are autobiographical, while others are first-person accounts of events told by Doris’ siblings, Isaak, Moishe, Josef, and Laya. Each of them provides a narrative that authenticates the worst of human brutality, allowing us to vicariously experience the wiliness, cunning, and just plain luck that the Szpringer family members used to stay alive in the Polish, Russian, and German countryside.
Over three million Jews lived in Poland at the start of World War II. These unique lives mostly end in death. Thus, we are fortunate that Doris Martin has written about the disturbing episodes of her childhood and teenage years, which allow us to understand everyday life of the Jews under Nazi occupation and to some small degree, understand the terror that enveloped their very existence.
Hitler set out to make the world free of Jews. Kiss Every Step is a compelling account of the success of one family, the Szpringers, in defeating this nefarious plan.
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Dr. Fred Reiss is a retired public and Hebrew school teacher and administrator. He is the author of The Standard Guide to the Jewish and Civil Calendars; Public Education in Camden, NJ: From Inception to Integration.; Ancient Secrets of Creation: Sepher Yetzira, the Book that Started Kabbalah, Revealed; and Reclaiming the Messiah.
Krav Maga popularity rising in Los Angeles Dojo
By Joey Seymour
LOS ANGELES — Czechoslovakia in the late 1930s is being overrun by a Nazi invasion. The 15,000 Jewish inhabitants of Bratislava are being harassed daily by brutal acts of anti-Semitism and will soon find themselves being sent to concentration camps. One resident, Imi Lichtenfeld who had been proficient in boxing and wrestling, develops a new way of defending himself against the Germans. He calls his fighting style, Krav Maga. In Hebrew, Krav means “combat” and Maga stands for “contact” or “touching.” Lichtenfeld begins to teach this method to others in Bratislava. However, it is not until 1948 when Israel becomes a state, that Krav Maga is studied on a wide scale.
Israel is young in 1948 and begins to establish her military. The Israeli Defense Forces (IDF) are created to protect the state and Imi Lichtenfeld is named Chief Instructor of Physical Fitness and Krav Maga at the Israel Defense Forces School of Combat Fitness. Recruits begin to learn the survival tactic which focuses on four main objectives:
- Counter attacking as soon as possible.
- Targeting attacks to the opponents most vulnerable points.
- Neutralizing the opponent as quickly as possible.
- Maintaining awareness of surroundings while engaged in combat with the goal of developing an escape route, keeping an eye out for further attackers and objects that could be used to defend or help attack.
Lichtenfeld served in the IDF for fifteen years all the while refining and retooling the art of Krav Maga with the intention of making it the best system for self defense in the world. Today, the IDF continues to utilize Krav Maga, while always looking to improve it. The technique is also being utilized in America by the FBI, various police squads (including the NYPD), SWAT, United States Special Operations, as well as being taught to the general public by highly skilled instructors such as Roy Elghanayan, founder of Krav Maga Los Angeles.
Imi Lichtenfeld died at the age of 88 in Netanya, Israel on January 9, 1998. Of his legacy, Elghanayan said, “He made life easy in many ways. He showed us the way to a safe life by founding Krav Maga. Krav Maga is a way of life and we need to be tested when it comes to survival.”
Roy served as a member of IDF and is the only two-time Israel Krav Maga National Champion. “I first started Krav Maga back in 1993 In Israel. The style of my dojo in Israel was not only Krav Maga, but also Israeli Ju-Jitsu. Israeli Ju-Jitsu is a combination of updated Krav Maga and modern Ju-Jitsu. It is great for multiple attackers,” mentions Elghanayan.
He was named both Israeli and United States Chief Instructor of Authentic Krav Maga. Elghanayan has earned the highest possible ranking in Krav Maga, Black Belt DAN 3. “It took me 10 years to become a 1st degree Black Belt and also an instructor. Today I am a 3rd degree black belt,” stated Roy.
There are seven levels one can attain:
Level 1: Boot Camp Training (White Belt)
Level 2: Basic Training Part One (Yellow Belt)
Level 3: Basic Training Part Two (Orange Belt)
Level 4: Intermediate Training (Green Belt)
Level 5: Advance Training Part One (Blue Belt)
Level 6: Advance Training Part Two (Brown Belt)
Level 7: Black belt Training (Black Belt)
Roy began teaching in Los Angeles three years ago and says, “My ultimate goal in teaching Krav Maga is helping people believe in themselves by teaching them the real authentic Krav Maga. If I can make a change in one student’s life, that change will be the beginning of a new way of life.”
Not only is Krav Maga gaining popularity among fans of martial arts, but it is widely regarded as a great fitness exercise and thus, many people are discovering Imi Lichtenfeld’s style of defense as a remarkable tool for getting in shape. On a recent episode of The Simpsons, the family travels to Israel and Bart is taught a tough, but humorous lesson in Krav Maga by a local girl working on her military service. Bart calls out for his assailant to “quit going for my groin.” As she continues to kick, she states, “No groin, no Krav Maga.”
Roy Elghanayan is finding great success in his dojo. His classes are almost always full of eager students wanting to learn from the master. Ages range from young children to older adults. Roy even believes that Krav Maga is a useful tool for athletes to either utilize while on the playing field or during preparation, “First, it would help the athlete become more alert and aware of the surroundings. Secondly, with Krav Maga athletes can prepare themselves to be aggressive and defensive both mentally and physically.” One such athlete that is planning on utilizing Krav Maga on the football field is San Diego Charger, Antonio Garay.
When asked if he plans to teach in San Diego, Roy says, “San Diego would be a great place to do a seminar, I have yet to visit but I am always willing to introduce people to Krav Maga everywhere.”
Krav Maga may not have the storied history of Asian martial arts, but it is a defensive art form that was born from necessity for Jewish survival and continues to embrace its importance through usage by many facets both in Israel and aboard. For more information on Roy Elghanayan and his dojo, visit http://kravmagasantamonica.wordpress.com/
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Joey Seymour is a sports historian and Author of “San Diego’s Finest Athletes: Five Exceptional Lives.” His book is now available through Sunbelt Publications at www.sunbeltbooks.com.
Contact Joey Seymour at joeyseymour1@aol.com