What about all those wrong notes?
By David Amos
SAN DIEGO-This is a somewhat negative article, not about the wrong notes we hear, but about the lack of them, and the notes and music we do not hear.
Nowadays, we hear virtual perfection from soloists and orchestras. This is what we expect. Sometimes it is as if we are hearing a computer, flawless, no spontaneity, no risks, and just safe notes. So many artists on the concert stage will not take any chances, but it is at the sacrifice of creativity. This is why I am reluctant to run to a local concert by a renowned artist; all the notes will be there, but I’ll be bored to death.
But it was different in the past. Here are a few salient examples:
Among the most exciting recordings of a live performance is the one of pianist Sviatoslav Richter, playing Mussorgsky’s Pictures at an Exhibition, in Sofia, Bulgaria, sometimes in the 1950’s. The dated Columbia long play record and the subsequent release on CD are full of flaws. The microphone placement is questionable, and the audience has a collective case of terminal coughing. Oh, yes, and Richter misses more notes than you could imagine. Someone could write a concerto just with the notes dropped under the piano.
Yet, this is an electrifying performance. The energy level coming out of the piano is indescribable, as is the virtuosity of the soloist. The communication is so strong, the message of the music so vivid, that after a while, you forget about the pianistic clams, and you feel transported into a different dimension.
If you want to hear sloppy ensemble playing, listen to the many recordings of Wilhelm Furtwangler and the Berlin Philharmonic in releases from the 1930’s and 40’s. But that becomes unimportant. What you keep and remember from these historical discs is music that sparkles, is alive, and energetic. They have the stamp of epic performances. Furtwangler’s interpretations were legendary, and once you get past the primitive recording sound and the less-than-perfect playing, the real quality becomes apparent.
Here is another classic example. From the Wikipedia, the free encyclopedia: “Arthur Schnabel (1882-1951) was a classical pianist who composed and taught. He was renowned for his seriousness as a musician, avoiding anything resembling pure technical bravura. He was said to have tended to disregard his own technical limitations in pursuit of his own musical ideals. However, Schnabel is widely considered one of the greatest pianists of the Twentieth Century, whose vitality, profundity, and spiritual penetration in his playing of works by Beethoven and Schubert in particular, have seldom, if ever been surpassed”. His recordings on the Angel label of the Beethoven Piano Sonatas are a standard and a model for others to emulate.
Today, we judge a performance and call it “faulty” if it has a few wrong notes. But quite the opposite, if we do that, we are listening to the wrong things and missing the whole point of what music is all about.
And, what’s even funnier, musicians can play an anthology of wrong notes, but if they are consonant and don’t clash harmonically, 99% of the listeners would not know the difference!
There are many wonderful and talented soloists in the world today. But in the past, you could recognize the style of an emerging soloist by the teacher with whom he or she studied. The individual personality was all there, but the stamp of the master teacher or the school was clearly discernible. It had pedigree. Today, no matter where of with whom a young artist studied, they all tend to sound alike, with non-geographical, predictable similarity to other musicians of their generation.
It is no secret that musical competitions of the last 30 years or so are usually won by the contestants who play the loudest and fastest. None of the subtleties and spontaneous imagination which makes great music is to be found. And judges, artists’ managers booking agents and audiences, on the whole, don’t get it.
Today, after finishing this article, I will be one of those judges at a music competition. I will do my best not to succumb to the temptations of flashiness vs. serious artistry.
The best music being made today on a worldwide, world-class level is by musicians who are willing to take chances. They play and create something vibrant and fresh during the performance, not just “pay it safe”.
No wonder that recitals and concerts, on the whole, are stale experiences which do not communicate and leave so many listeners dissatisfied, sometimes not even knowing why. And maybe this is a contributing factor to the ever-growing problem of creating and cultivating new, young audiences.
Many of us who are veteran concert-goers have become somewhat immune to the cookie-cutter interpretations on stage today. We hear not what is taking place, but what we want to hear. Younger, less seasoned listeners may actually be more perceptive than many of us, and are justifiably unexcited by the concert experience.
I have discussed this subject through the years with many people, in and out of music, and in recent times, with someone who has had a direct connection with some of the greatest names in music in the last 100 years, including legendary artists.
By learning from the past, music can strengthen our present and future.
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Amos is condutor of the Tifereth Israel Community Orchestra and has been guest conductor of professional orchestras around the world.
San Diego County historic places: La Mesa’s Walkway of the Stars
By Donald H. Harrison
LA MESA, California—Between La Mesa Boulevard in the heart of this city’s business district and the Allison Avenue Municipal Parking Lot which serves as a venue for Farmers Markets held on Friday afternoons is an innovative walkway in which murals celebrate volunteerism and stars on the sidewalk honor local volunteers. This small urban mini-park is called The Walkway of the Stars.
To make the large parking lot more accessible to the front of the stores on La Mesa Boulevard, the City of La Mesa decided to purchase an old dry cleaning establishment, demolish everything in it except its steel roof beams, and turn it into a walkway. Murals were painted on the sides of the buildings adjoining the walkway, creating a bright, festive portal to the municipal spirit La Mesa’s leadership would like to inspire.
A wall with the calligraphy of V. Bendik explains: “This pedestrian walkway has been transformed into a landmark initiative known as the Walkway of the Stars. The vibrant urban park was conceived and promoted by Councilwoman Ruth Sterling and approved by the City Council in 2002.
“The concept of the part is to honor La Mesa volunteers who accumulated 10,000 hours or more of volunteer service. These unique people are recognized for their extraordinary achievement by having their names engraved on an individual decorative stone star and placed in the walkway. A corresponding plaque of achievement is permanently displayed at City Hall in appreciation of the accumulated hours of community service amassed by these dedicated volunteers who make La Mesa a better place to live.
“The walls of the park feature murals depicting people in action as community volunteers. The people helping people theme is carried out by the portrayal of some of La Mesa’s greatest volunteer efforts. Keeping with the theme of volunteerism, the artists have pictorially honored La Mesa’s tradition by generously contributing their time and talent to illustrate this spirit of community service. We hope you will enjoy La Mesa’s walkway of the stars.”
One of the murals shows teenage volunteers painting over graffiti – an activity that normally occurs in other parts of the city. But every so often, said Don Feist , a retiree who likes to sit on a bench and watch his neighbors go by, the murals themselves are subjected to graffiti and have to be painted over.
He said such activity seems to occur more often in the summer months.
Another mural shows “Canine Corners,” an area where owners may unleash their dogs within the 53-acre Harry Griffen Park at 9550 Milden Street. The models for the mural were actual La Mesans and their family dogs. Artists Katy Strzelecki and Jane LaValle had a little fun with this mural: There’s a cat stretched out languorously above a community bulletin board—obviously not intimidated in the least by all those dogs. Additionally within the mural there is a bit of trompe l’oeil {fool-the-eye}: a utility box with a dog painted on it is distinguishable from the “real dogs” in the mural, only by close examination.
LaValle and Strzelecki also painted a scene of La Mesa’s annual Flag Day Parade, with horses, clowns and a Scottish-style young-women’s honor guard juxtaposed against a large American flag. Look under the bench in the foreground; the painting was done in such a manner that it appears a youngster is crannying there.
Other murals depict municipal buildings, Little League coaching, volunteer swim teachers at La Mesa Municipal Pool, and the retired senior volunteer patrol in which senior citizens do some patrolling and non-confrontational police work in the city.
Alice Larson was the first volunteer to be acknowledged with a star. According to the 2010 City of La Mesa’s website, she had “contributed over 13,000 hours of volunteer service to the City. Her spirit of ‘giving back’ to her community signifies what this walkway is about. In fact, Alice is still giving to the City by working at City Council meetings.”
The second ceremony honored two volunteers who worked with the police, Anthony Guggenheimer, who logged over 10,000 hours in the RSVP program, and Timothy S. Tarbuk, with over 12,500 hours in the Police Reserves.
There have been surprises along the Walkway of the Stars, Feist said. He was sitting on one on the benches on January 23, 2004 when a man ran past him, followed somewhat later by two law enforcement officers. They turned the corner into the parking lot and then there were the sounds of shots. Later identified as Jesus Melendrez, 22, the man had been chased to La Mesa in a car from Spring Valley, then abandoned the car, and ran through the passageway to the parking lot where he tried to hijack another car from a woman with a baby. The rightful owner and child got out and when the law enforcement officials surrounded the car, Melendrez refused to get out, instead pointing a gun at them. Officers fired, killing the man, in what District Attorney Bonnie Dumanis later ruled was a justifiable homicide.
Feist said he hasn’t seen such excitement since.
The pensioner sadly pointed to a sign on the wall forbidding the feeding of pigeons that occasionally come to visit, saying “They put that up there because of me.” Feist said he likes to carry birdseed in his pocket, and noted that back in the years when it was still easy for him to get to downtown San Diego, he used to be something of a sightseeing attraction himself with all the birds he cared for near Seaport Village.
O’Dunn Fine Art Gallery previously was next door to the walkway, but recently moved to larger quarters across the street. meaning that there is art on both sides of the wall that divides them – temporarily at least. Shannon O’Dunn, formerly dean of communications and fine arts at Grossmont Community College, says she plans to move the gallery across La Mesa Boulevard to a larger space.
The gallery specializes in the works of early California artists, among them Langdon Smith (1870-1959); Frederick Lester Sexton (1888-1975); Joseph Meniscucci (1862-1926); Joane Cromwell (1895-1969) and Charles Ward (1850-1937). There also are such contemporary artists as Calvin Liang. Subjects of these artists have included scenes of Cathedral City, near Palm Springs, when it was just a Joshua tree and sand; Mount San Jacinto, an unnamed San Diego County river, a desert view and the La Jolla Cove.
O’Dunn, who ran unsuccessfully for the City Council in 2008, said the walkway has its advantages and drawbacks. “It’s a nice idea, and I think it is a very needed pedestrian access that they keep up pretty well,” she said.
The “downside of it, as in any public gathering place, you get all kinds of gatherings,” O’Dunn added. Once she saw police pulling cash and prescription drugs out of the bushes, where apparently some illegal pill pusher had stashed them. Additionally, “I have seen marijuana busts out there – have seen people having a little smoke.”
If one turns west from the walkway onto La Mesa Boulevard and walks toward the San Diego Trolley line on Spring Street, one will pass a star in the sidewalk near the corner of Palm. As part of another city program, “The Walk of Fame,” this star honors professional basketball star Bill Walton, who went to school in La Mesa.
Across the street at 8285 La Mesa Boulevard, one encounters the Maxwell House of Books, owned by Craig Maxwell, an unsucessful candidate for mayor in 2006. Maxwell suggests he must have inherited the bibliophile gene from his grandfather who founded Wahrenbrock’s in downtown San Diego, which Maxwell said was San Diego’s “biggest, oldest and best bookstore.” The grandfather sold the store in the 1960s to Chuck Valverde, but had other bookstores up and down the state.
As a result, said Maxell, “books were always my great passion and as a kid I loved going to his stores around the state, although I never worked in any of them. I worked on Adams Avenue,” where there are numerous used book stores, before starting his own company.
What so appealed to him about bookstores was “they were places where imagination could just go loose, go crazy,” Maxwell said. He relished being able to “go into a book store and see these titles up on the shelves that addressed so many topics and so many historic figures. You can open up any of them and enter a totally different world. You can lose yourself in that world.”
There’s always something for him to do if business gets slow, in other words.
He and his wife Lynn chose to locate on La Mesa Boulevard because they live in La Mesa and also because “it seemed to need a good book store.”
“What is Southern California known for?” he asked rhetorically. “Sprawl, tract home developments and very little downtown communities in Southern California. We have a uniquely traditional old town district here (that) fosters a sense of community.” Used book stores thrive best, he said, “in places that are magnets for cultural activities. I thought this was ideal; our book store completed this place.”
Maxwell House of Books has a specialization in “academic and scholarly topics,” though it has branched out from there. Having taken a degree in philosophy at the University of San Diego, Maxwell leans toward books in that field as well as in theology, biology, physics, astronomy, mathematics, general science, anthropology, archaeology, sociology, political science and literary criticism.
Although Internet booksellers offer his bookstore considerable competition, in the long run there’s something even more worrying facing him and fellow booksellers.
“Young people don’t read,” he said. “The Greatest Generation (that which fought in World War II) was the last generation of real readers. The Baby Boomers still read—they have a toehold in reading—but among their kids and kids of their kids it fell off awfully fast. They don’t read unless it is assigned — it is not a pasttime.”
Continue west along La Mesa Boulevard, and there still are two more eye-catching exhibits before one reaches Spring Street. At the AT&T building there are mural-sized photographs of early telephone workers. And at the opposite corner, there is a fine clock donated to the city by the Rotary Club.
One can’t help but wonder if it tells the hour of the day, or the historic era visitors have just stepped into?
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Harrison is editor of San Diego Jewish World. An earlier version of this story appeared on examiner.com
StandWithUS creates 24-hour online Flotilla Facts website
LOS ANGLEES (Press Release) – StandWithUs, the international, Israel education organization has mobilized a team of multi-lingual, web-savvy student volunteers around the globe to take Israel’s case to the world, just as they organized a successful Internet response during Israel’s Operation Cast Lead in December 2008.
The portal for this social media battle is http://www.flotillafacts.com/. On the first day of its operation, over 2,000 activists had enlisted to participate. The site is filled with flotilla facts, tweets that can be copied and pasted into twitter accounts, videos, StandWithUs Facebook, images, articles and signs.
The goal is to fight the web war against Israel by blogging and using social networks like Facebook, Twitter, and YouTube, and posting talkbacks on a range of media sites. The volunteer teams are identifying and sharing videos, images, and relevant messages with their social networks. The video of a British officer describing the attempted lynching of Israeli personnel had 6,000 viewers within hours of its posting.
The Social Media Task Force is centralized in a special “Web Situation Room” located at the StandWithUs Jerusalem office. Its efforts are coordinated with StandWithUs offices in Los Angeles, New York, and other chapters around the world. Information has been uploaded in ten languages, including Arabic, to reach a global audience. Leading figures in the art of social media are advising the effort.
The Task Force is working around the clock to respond in real time to online criticism of Israel, and to get the facts about the Flotilla’s hostile purpose, the peace activists’ violence, Gaza, and Hamas’ genocidal goals against Jews.
Concurrently, StandWithUs launched a new website, http://www.shameonturkey.com/, to direct world attention to the real guilty party in the Flotilla incident: Turkey. Turkey approved the Flotilla which rejected Israel’s offer to deliver the humanitarian goods through official Israeli channels so they could be checked for weapons and dual use materials that add to Hamas’ infrastructure. Three ships sailed under the Turkish flag. Turkey knew that some of the “peace activists” were members of IHH, a jihadist-affiliated group that supports Hamas and has worked with jihadists across the globe. Turkey also led the assault against Israel at the UN.
“Turkey has blood on its hands. It could have cooperated with Israel and made the ships under its flag follow international law. It chose not to. Turkey is betraying its own secular, democratic values. Turkey should be held accountable, and tried in the court of world opinion,” stated Roz Rothstein, co-founder and CEO.
StandWithUs helped organize rallies in support of Israel in front of the Turkish and Israeli Consulates in Los Angeles, New York (Times Square) and San Francisco. A Demonstration will take place in Chicago on Thursday. There will be other rallies across the country, using SWU signs available on its website .
“StandWithUs will continue to be on the front line fighting against this propaganda war against Israel. Too many people simply don’t have the facts, and are misled by the misinformation. We want people to have easy access to the facts. The facts speak for themselves. The world should be thanking Israel for courageously standing alone in a heroic defense against the terrorism and extremist ideology that threaten liberal democracies everywhere, “emphasized Rothstein.
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Preceding provided by StandWithUs